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It hard to write a song with bitter fingers

Heeled boots, studded with glitter, have begun to moult in the autumn damp; wherever Adele settles around the room she leaves behind traces of sparkle. Elton John and Bernie Taupin rose out of absolute obscurity to become the most successful songwriting duo since Lennon & Mc Cartney. I never wanted to be a movie star, because in 50 years’ time if you mention an old film stars’ name they’ll just say ‘Who? —Elton John, “Jackie” Magazine, 1969 For we were spinning out our lines, /Walking on the wire, /Hand in hand went music and the rhyme, /The Captain and the Kid, Captain Fantastic and the Brown Dirt Cowboy, released in 1975, was the culmination of six years’ feverish exertion. As early as Frank Sinatra’s In the Wee Small Hours, with its songs about lost love, Herb Alpert and the Tijuana Brass’ themed albums (Going Places, Whipped Cream and Other Delhts), and Ella Fitzgerald’s Songbook albums, each dedicated to a specific songwriter or songwriting team, music lovers have always been drawn to an album with a unifying concept. In its most obvious definition, it is an album with some unifying theme.

It hard to write a song with bitter fingers

It hard to write a song with bitter fingers

Window.sbbop Loaded){ var sbbop_modal = create Modal(modal); if (sbbop_modal ! The 27-year-old is dressed today in dark jumper and tapered trousers, her red hair pulled back to reveal rows of hooped gold in each ear.

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  • “Been sleeping with this chained to my wrist,” says Adele, of a slim silver laptop she removes from the bag. She tugs at wires, punches at buttons, trying to hook up her laptop for sound.


    It hard to write a song with bitter fingers

    It hard to write a song with bitter fingers

    It hard to write a song with bitter fingers

    As long as there have been records, there have been concept albums. Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century.

    It hard to write a song with bitter fingers

    They say old men forget and — whisper it gently — at 68, Keith Richards can no longer be deemed young. AP EURO HOMEWORK This week the Dartford-born rocker confessed: ‘[These days] when you kick off a song you say “I can’t remember how the middle bit goes”, but the fingers are able to perform all the correct chords on their own.’This rare admission of frailty shields, however, a greater concern among friends and associates of rock ’n’ roll’s greatest ‘riffmeister’ — that the days of Keith’s scorching guitar solos are gone for ever.


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